Alex will be understudying Roderick Williams in this performance of Brahms’ Requiem for the Stour Singers’ 50th Anniversary Concert. The soprano soloist is Robyn Pullen, with Lynn Arnold and Charles Matthews on piano.
Tickets are available here: https://www.ticketsource.co.uk/whats-on/stoursingers.brahmsrequiem
Alex joins the chorus with Infinite Opera in their production of Besse: Water, Rye and Hops against the backdrop of the brewing vats at Signature Brew. “An operatic triptych that fights the patriarchy with fermentation, it takes the audience on a musical journey through the rich and forgotten history of women and beer from the comfort of a seat in a local craft brewery taproom”!
For the PDF of the online programme, follow the link: https://qr.link/LYjFxp
For tickets, follow the link: https://www.tickettailor.com/events/infiniteopera/1240791
Alex joins the chorus with Infinite Opera in their production of Besse: Water, Rye and Hops against the backdrop of the brewing vats at Signature Brew. “An operatic triptych that fights the patriarchy with fermentation, it takes the audience on a musical journey through the rich and forgotten history of women and beer from the comfort of a seat in a local craft brewery taproom”!
For the PDF of the online programme, follow the link: https://qr.link/LYjFxp
For tickets, follow the link: https://www.tickettailor.com/events/infiniteopera/1240791
Alex performs as Zuniga in Bizet’s Carmen, sung in English, with Arcadian Opera.
Conducted by Justin Lavender and directed by Ali Marshall.
Alex performs as Zuniga in Bizet’s Carmen, sung in English, with Arcadian Opera.
Conducted by Justin Lavender and directed by Ali Marshall.
Musica Antica Rotherhithe present three raucous madrigal comedies by Alessandro Striggio (1535-1592) and Adriano Banchieri (1568-1634): La Caccia (The Chase), Il Cicalamento delle Donne al Buccato (The Gossip of the Women at the Well) and La Pazzia Senile (The Old Codger). Filled with innuendo and satire of sex, class and society at large, these comedies reveal a fascinating, scandalising glimpse of late sixteenth century Italian urban society that, at times, looks no different to our own, as well as being set to brilliant, rarely-heard music.
Our first programme of the 2024 celebrates the airs of Michel Lambert (1610 – 1696) and Marc-Antoine Charpentier (1643-1704), and the music written by their contemporaries for the viol, culminating in a rare performance of Charpentier’s Les Plaisirs de Versailles (The Pleasures of Versailles).
Programme
Michel Lambert: Sans murmurer
Vous mepris chaque jour
Ombre de mon amant
Marc-Antoine Charpentier: Quel prix de mon amour
Sans frayeur dans ce bois
Le Sieur De Machy: Prelude in D minor from Pieces de viole
Marin Marais: Prelude in G major (pieces de viole, livre III) and
Chaconne in G major (livre v)
Caix d’Hervelois: Plainte from pieces de viole
Antoine Forqueray: La Couperin
Marc-Antoine Charpentier: Les Plaisirs de Versailles
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